What a wonderfull story told by first Helen, then Johnny Cash, who married June Carter and became the son-in-law of Mother Maybelle. The marriage may well have saved the man from your typical showman’s disasters involving drugs and sex and rock & roll.
And another nice thing to note is the aging voice of Maybelle. She was never a singer with soaring voice but with age she becomes even more careful not to stretch it too far. She stays within her modes range and plays an important harmony role. And she does take the lead in going through the song, and she is always very sure of when to start and when to end a particular part. That is often seen in those who are also strong guitar players, I believe because they have two perspectives on song, the chord progression and the melody.
Here is a nice short documentary about the Carter Family, a musical family that was very important in American country music. The documentary mentions the Carter-style scratch, which I am trying to master, unsuccesfully so far 🙂
And here is a more recent live studio recording that also features Carlene, representing yet another generation of the Carter Family. And a great opportunity to hear Anita Carter sing at a more advanced age, which she did not do in public very often due among others to health considerations. I also love watching June concentrate on playing and singing so intently. In earlier years she was a real front lady but here she takes a more modest role.
The more I listen to him, the more I am a fan of Johnny Cash, the ‘King in Black’.
In his younger years he competed with Elvis for the hearts of the girls. Later he became a living legend for millions of music lovers in the world.
Now, I was surprised to hear a number of people whom I talked to about Johnny Cash say that he was not a very good singer. I think that this old video and many others clearly demonstrate his singing abilities. At age 70 of course the voice becomes less strong and less sure. That is a natural phenomenon.
Anotehr nice element in this video is the typical electric guitar work by Luther Perkins. In the country scene this sound made their music very distinctive.
I am not a connoisseur of Rembrandt nor of any other painter for that matter. I am but a student of the way people gesture. Rembrandt’s portrayal of scenes stocked with people in action struck me as a nice object of study. His capture of a moment and the life within his pictures is widely praised and partly ascribed to his daring portrayal of gestures. His subjects are seldom in rest, and even then not in a neutral rest. Their postures and their hand movements are chosen to tell a story, or to make them extras which add to the story being told.
In his famous ‘honderguldenprent‘ the gospel comes alive. It portrays parts of the thirty verses of Matthew 19. We are able to read the picture by the portrayal of the people and by reading the verses in support. We see the great multitudes that he healed flooding through the gate on the right. They plead, and Jesus blesses them. We see the Pharisees discussing, with various co-speech gestures and contemplative postures, the exchange of words they had with Jesus about divorce with Jesus not paying them any more attention. His attention appears mostly focussed on the approaching mothers with children. One child points him out, dragging his mother along. Jesus restrains Peter who is keeping back a mother with infant, welcoming her instead.
This ‘Hundred Guilder Print’ contains a good part of any of the gestures used by Rembrandt. On the one hand there are emblems such ‘plea’ or ‘bless’ which occur often. On the other hand there are many outstretched hands with either palms up or palms down. These remind me of Kendon’s (2004) treatment of such gestures. One typical example in the picture here is the vertical palm of one of the men trying to make Jesus attend to a particular sick person.
At the Rembrandthuis a collection of graphical work is kept of which the ‘genre’ and ‘religious’ material are nice to study.
The biblical work by Rembrandt appears to be the most interesting for studying his portrayal of gestures. Simply because they often occur, but also because they are used to aid the rendering of the story, and therefore show a greater variety.
In an old article BBC News reported about research showing that Pet dogs can ‘catch’ human yawns. The article is available online in Biology Letters here. (Article ‘Dogs catch human yawns’ by Ramiro M Joly-Mascheroni, Atsushi Senju* and Alex J Shepherd, 2008).
The copying activity suggests that canines are capable of empathising with people, say the researchers who recorded dogs’ behaviour in lab tests.
Until now, only humans and their close primate relatives were thought to find yawning contagious.
The team – from Birkbeck College, University of London – reports its findings in Biology Letters.
Yawning, although sometimes a response to extreme stress, is more often a sign of tiredness; but the reason for why yawning is catching is not fully understood.
Human cues. There is evidence that autistic individuals are less inclined to yawn into response to another human yawning, suggesting that contagious yawning betrays an ability to empathise, explained Birbeck’s Dr Atsushi Senju. Dr Senju and his team wondered whether dogs – that are very skilled at reading human social cues – could read the human yawn signal
There are several very interesting things in these statements. Firstly, I am interested in yawning itself. It is called a social cue. What is a ‘social cue’ as opposed to an ‘intentional act of communication’, which is how I define ‘gestures’?
The article itself has this to say about dogs’ abilities:
Dogs are unusually skilled at reading human social and communicative cues. They can follow human gaze and pointing (Hare et al. 2002; Miklo´ si et al. 2003; Miklo´ si & Soproni 2006), they can show sensitivity to others’ knowledge states (e.g. indicating the location of a hidden toy more frequently to someone not involved in hiding it than to someone who did the hiding, Vira´nyi et al. 2006) and they are even able to match their own actions to observed human actions (Topa´l et al. 2006).
Goffman and Kendon both make a distinction between ‘giving information’ and ‘giving off information’. In most cases, a yawn gives off information to possible observers, but a yawner does not mean to give information, I would think (although in many cases yawners may want to indicate their tiredness or boredom). The distinction is important because giving information is typically attended to and reacted upon, whereas giving off information is not. Expectations and social etiquette are likewise.
So, how about contagious yawning? It seems to be caused by empathy or to require empathy, at least in humans and dogs. As such a co-yawn also gives off the information that this other persons is observing you and empathizes with you, for what it’s worth.
And I think that that could well be the best explanation. Contagious yawning is behaviour that serves to provide information to those present that they are aware of each other and ’empathizing’ in a very economic way. It is economic because none of those present has to overtly attend to the behaviour and react upon it with speech or gestures. A bonding mechanism mostly below the surface of our consciousness.
And possibly, contagious yawning is much like all sorts of other behaviour, such as mirroring. It is a kind of mirroring I suppose. But there are many other sorts of mirroring.
Here is an alternative interpretation and explanation of contagious yawning
Note that there is a considerable and growing literature on yawning, contagious yawning and how this relates to our psychology and biology. In humans, dogs, chimpansees, other apes and monkeys, birds, cats, etc.
A very interesting research case. Take any animal and see if it catches your yawn.
This evening I will come home and give my wife some flowers.
What will she make of this? Why do I give her flowers? Is it a nice gesture? Why call it a gesture at all?
Why do we call certain actions by people in certain conditions ‘a gesture’ (a ‘nice gesture’, or ‘only a gesture’)? Actions which under different circumstances would be mere practical actions, with some goal in mind?
I read the following this morning: ”Other non-visual gestures include ideas that manifest themselves or become known. The thought of giving a gift to someone could be regarded as a ‘nice gesture’.”
From: University of Chicago: Gesture
Is the gesture the idea that becomes manifest or known? If so, then which idea is this? My idea that my wife deserves a gift? Or is rather my idea that I should make it known that I’m aware that she deserves a gift? I would prefer the latter choice of ideas. Yet, still the idea itself does not count as the gesture for me. It is only when I act, and by acting display my awareness that my wife deserves a gift, that there is the seed of a gesture. Personally, before calling it a gesture, I would first like to see my wife acknowledge the act and the idea behind it. That means she must first understand that a present is given. Then, my awareness of the deservedness should be acknowledged. If this happens, I’ll be happy to call it a gesture. I will have intentionally communicated an idea, which was even succesfully picked up.
Without the acknowledgement by the receiver the entire act is a gesture only from my point of view, and not to anyone else (unless my mind is otherwise read by a third party). Chances are that the act will be perceived as a regular practical action (“He brought some flowers because he thinks the table is so empty without”).
So, assuming the gesture is confirmed by the receiver’s acknowledgement, will it be ‘a nice gesture’ or ‘only a gesture’? This rests entirely upon the interpretation of the message within the relation I have with my wife. And that’s between her and me.